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Episode 16

Deane Ogden talks about being born into a musical family and moving to the other side of the world

Personal stories of inspiration from professional composers, songwriters and musicians.

In this episode, Gareth chats with record producer, session and touring drummer Deane Ogden about being born into a musical family and moving to the other side of the world.

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Host: Gareth Davies

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Transcript
Gareth:

Welcome to the music room.

Gareth:

At this time in the music room.

Deane:

and he answers the door in his U s C ball cap and

Deane:

sweatpants and was like, what?

Deane:

You know?

Deane:

So I spend an afternoon crawling underneath his desk with him

Deane:

sitting there, drinking coffee, watching me, you know, stuff.

Deane:

Just weird things like that.

Gareth:

Hello, and welcome to the Music Room, the show where I chat with

Gareth:

composers, songwriters, and musicians about what's happening with them.

Gareth:

Before going back in time to find out how it all began.

Gareth:

In this episode, you're going to hear from

Gareth:

Dean Oakton.

Gareth:

Drummer, producer, composer, songwriter.

Gareth:

He's done it all and has the most fascinating story.

Gareth:

He grew up in the us, now lives in Bali.

Gareth:

Lots of interesting stuff happened in between and stick around because Dean has

Gareth:

some great advice and a very interesting item to leave in the music room.

Gareth:

But first, music stories.

Gareth:

Music Room alumnus Daisy Cool and composing partner Tom Nettle

Gareth:

ship are scoring a brand new drama series for Channel five.

Gareth:

The four part thriller for her sins which stars Joe Joyner and

Gareth:

Rachel Shein started yesterday.

Gareth:

That's June the fifth at 9:00 PM Massive congratulations to Daisy and Tom.

Gareth:

I'm looking forward to seeing that It's on my watch list.

Gareth:

Next I ask the music room community on Facebook, a big question.

Gareth:

What's one quality you look for in a collaborator?

Gareth:

Hmm, rod, this is going to sound lame, but honestly it's way more

Gareth:

enjoyable if you get on to some degree socially and can have a left together.

Gareth:

Criticism will always sound more palatable when coming from someone you trust.

Gareth:

I like, I agree with that.

Gareth:

Rod Toby says, someone who will force me to bring my A game or

Gareth:

more a air quotes, you only get better by playing a better opponent.

Gareth:

Okay.

Gareth:

Yeah.

Gareth:

Herman these days.

Gareth:

Someone who commits and actually sees the collaboration through em.

Gareth:

Brackets, size, ply.

Gareth:

Oh dear.

Gareth:

Sounds like, uh, Herman was let down a little bit there.

Gareth:

Uh, still we try these things out, don't we, Marco?

Gareth:

Fun and commitment first and foremost.

Gareth:

Yeah, great stuff.

Gareth:

Marco.

Gareth:

Uh, Anique to me, organized and reliable are equal to creative and nice these days.

Gareth:

I agree with that.

Gareth:

To an extent Anique.

Gareth:

I think maybe if you can have all four, that's even better, isn't it?

Gareth:

Organized, reliable, creative, and nice.

Gareth:

that's a winner to me, Neil A Pulse.

Gareth:

Okay.

Gareth:

Looks like Neil's looking for collaborations.

Gareth:

come and say hello to Neil in the music Ring community on Facebook.

Gareth:

You too can take part in wonderful discussions within the Music

Gareth:

room community via the Facebook group or via the Instagram feed

Gareth:

or subscribe to the newsletter.

Gareth:

It's all there to help.

Gareth:

And links are in the show notes or head to music room.community to find out more.

Gareth:

And if you like this section, I mentioned the music room newsletter

Gareth:

there, which you can read.

Gareth:

Share, subscribe to whatever tickles you're fancy.

Gareth:

And the link, as they say, is in the show notes.

Gareth:

Dean Ogden is an American record producer session and touring drummer

Gareth:

and co-founder, songwriter, drummer of the band, stone Cold Killers

Gareth:

over a long and winding career.

Gareth:

Dean has worked as a recording and touring drummer with the likes of Stevie Wonder.

Gareth:

Robbie Williams and Seal written the music for feature films and

Gareth:

primetime tv and produced some of Indonesia's finest musical talent.

Gareth:

With no further ado, let's hear from Dean himself.

Gareth:

Dean Ogden, composer, producer, rocking drummer.

Gareth:

Welcome to the music room.

Deane:

Thanks so much, man.

Deane:

I really appreciate it and it's really an honor to have some time with you.

Deane:

It's cool.

Gareth:

You are all the way over in Bali.

Gareth:

Where you

Gareth:

live.

Gareth:

This is

Gareth:

fantastic.

Gareth:

How is it in Bali today?

Deane:

It's fantastic.

Deane:

It's, well, it's, it's nighttime now.

Deane:

but it, today it was wonderful.

Deane:

It's, you know, it's, it's kind of perpetual summer here.

Deane:

It never, never gets cold, um, which is good and bad, you know, but, uh, but

Deane:

it's pretty great for kids and, you know, beach time and all that kind of stuff.

Deane:

It's, it's a, it's a good hang.

Deane:

It's a nice place to work and live and yeah, we really like it.

Deane:

We've been, we've been at balling now for

Deane:

almost 10 years, so,

Gareth:

Wow.

Deane:

Yeah, it's been great.

Deane:

It's really great.

Deane:

I don't, I don't see, I don't see us leaving anytime soon, you

Deane:

know, unless some apocalyptic nightmare takes place or something.

Deane:

But, and

Gareth:

But that's quite a difference, uh, from your roots, which we will get into.

Gareth:

Uh, I'm sure there's a fascinating story there about how you got to Bali.

Gareth:

But yeah, just by means of introduction, it's, I I think it's really hard

Gareth:

to introduce someone when they do.

Gareth:

I don't think you fit the mold particularly, you know, you've been

Gareth:

a drummer with the likes of Stevie Wonder, jewel, Robbie Williams, Al

Gareth:

Jerome, Britney Spears, nataline Lia, and so many more artists.

Gareth:

Uh, but then composed the music for feature films, primetime tv, as well

Gareth:

as producing for a lot of artists.

Gareth:

So for those listeners who are trying to figure out where they fit in the

Gareth:

huge tapestry, that is the, the music business, how do you see yourself

Deane:

Very lucky.

Deane:

You know, uh, I, I mean, you know, credits can be, I don't know.

Deane:

they're interesting.

Deane:

You know, I, I've, I've definitely played with a lot of people, but I

Deane:

was never really anybody's drummer.

Deane:

You know, I, I sat in with a lot of people.

Deane:

I did, you know, a lot of small tours, filled in for people, but never was

Deane:

really like the number one guy, you know?

Deane:

so it's kind of been a career of just, I guess, you know what, what a

Deane:

lot of musicians probably do is just, you do whatever you can to survive.

Deane:

You know, I've, I've, I've played with a lot of people.

Deane:

I've produced records, like you said, I've, I've definitely, there was

Deane:

a period of time, I don't do it so much anymore, but definitely a period

Deane:

of time where a hundred percent of my energy went into film scoring.

Deane:

And, you know, when I was living in Los Angeles, I was really pursuing that.

Deane:

And I kind of thought that would be the thing that, that I was most interested

Deane:

in, you know, after playing drums my whole life and, sort of trying to, you Carve

Deane:

out a career doing that is, is pretty difficult, or at least it was for me.

Deane:

and, and it, and it, it never really materialized into anything permanent.

Deane:

You know, I was a jobbing drummer, which I loved, you know, and that's

Deane:

really what I wanted to do from the time that I was a little kid, you

Deane:

know, was just be a studio musician.

Deane:

And I achieved that and it was great and I loved it.

Deane:

And then where I lived in Los Angeles, you know, that, that, that industry

Deane:

kind of dried up and everybody bailed and went to other places.

Deane:

so I, you know, I was al I always loved movies, always loved film music.

Deane:

growing up I was a huge John Berry fan and loved James Bond and, you know,

Deane:

of course Williams and, you know, all the, all the, all the greats, right?

Deane:

but also on the classical side.

Deane:

I mean, I was a huge Aaron Copeland fan.

Deane:

I just loved John Cage, of course, being a percussionist and a drummer,

Deane:

and, just loved that kind of stuff.

Deane:

but I never was really as in love with that as I was with playing drums despite,

Deane:

to sort of like sidewind myself into a second career, being a, a film composer.

Deane:

But I did it for a decade, you know, and I, and I did a lot of fun stuff and I

Deane:

don't have any regrets about it, but I, I.

Deane:

Have since kind of found myself sort of drifting back to my first love of, you

Deane:

know, playing drums and, you know, being on the road, and being a touring drummer

Deane:

and being in the, spending a lot of time in the studio, doing a lot of sessions

Deane:

and, so that's kind of how it's been.

Deane:

It's been, it's been 30 plus years of touring studio sessions for

Deane:

a time, television and film, and then sort of full circle back to

Deane:

touring and sessions now, you know?

Deane:

with my band.

Gareth:

Yes.

Gareth:

You are banned stone cold killers.

Gareth:

you're really scratching that drumming itch, aren't you?

Gareth:

With the, with the stone cold killers.

Gareth:

I saw the video, your first video which is

Deane:

oh, cool.

Gareth:

great.

Gareth:

Really cool.

Deane:

Thanks

Gareth:

Um, how did it all come about?

Deane:

With those guys.

Deane:

It's, it's the craziest thing, man.

Deane:

So in, uh, I, I moved, I moved from LA to Indonesia, in late 2010, early 2011.

Deane:

And, I was on tour and I came over, came over to Jakarta to do some shows, and I

Deane:

met the woman who's now my wife and kind of never left, you know, I went back to

Deane:

LA for, I went back to LA for a couple of years, but we sort of had this long

Deane:

distance thing that was a nightmare.

Deane:

And so I finally just, I sold everything in la, moved over here and, you

Deane:

know, off to the races and started a family and all that kind of stuff.

Deane:

And so, and then we moved to Bali when our first son was born.

Deane:

Three, three or four years later.

Deane:

But while I was in Jakarta, I met this, this kid, he's a guitar player and we,

Deane:

I don't remember exactly how we met.

Deane:

I think we met from maybe through a mutual friend or something.

Deane:

But anyway, he was playing in a band over there and I went to

Deane:

hear his band at a jazz club over there and just really switched on.

Deane:

Kid man, Indonesian kid, didn't really speak much English, but,

Deane:

just a, an Alan Holdsworth type, John McLaughlin kind of guitarist.

Deane:

Just really, and really young, you know, he was, I, I guess at the time

Deane:

he would've been, would've been about 20 and in mid twenties, you know,

Deane:

and, um, single guy and just, you know, working in studios over there.

Deane:

There's quite a bit, quite a few high-end studios over in Jakarta, cuz

Deane:

that's where if, if, if there is a music scene in Indonesia, that's where it is.

Deane:

You know, it's where the work happens.

Deane:

he was there from his village.

Deane:

Kind of a transplant, sort of an LA type thing, like for me, you know, and I met

Deane:

him and we, we jammed together a couple of times and I, I sat in with his band

Deane:

once and, you know, that was a lot of fun.

Deane:

And we just became friends and we had a shared love of Level 42, the band.

Deane:

And when I, when I was a little kid, they, they, Phil Gould has

Deane:

always been my drumming idol.

Deane:

He's, he's like the Mount Rushmore for me, if you know.

Deane:

And so Pfizer, this kid, and I realized that we were both huge

Deane:

fans of, the founding, founding era of level 42, the Gould Brothers

Deane:

and Mark King and Mike, Linda.

Deane:

And so we kind of shared that passion.

Deane:

And we just stayed in touch.

Deane:

You know, I moved to Bali and he stayed there and kept

Deane:

working and doing his thing.

Deane:

And over the course of 10 years or so, we just stayed in touch and, you

Deane:

know, through Facebook and all that.

Deane:

But we were always talking about, man, we gotta do something together.

Deane:

You know, we gotta do, we gotta do a project or something, or write

Deane:

some songs or, you know, something.

Deane:

I mean, we just, we just played together those two or three

Deane:

times and that was awesome.

Deane:

And I could feel there was something there.

Deane:

And I had a, I had a medical issue about a year ago.

Deane:

I was in, I spent, you know, a couple months in the hospital, and

Deane:

while I was in the hospital, I got this text from him and he goes, Hey.

Deane:

He goes, dude, I moved my family to Bali.

Deane:

We've been here for two months.

Deane:

Where are, where are you?

Deane:

I go, well, I'm laying in the hospital, man, like, I just

Deane:

had double surgery, you know?

Deane:

And he's like, whoa, what?

Deane:

So as soon as I got out of the hospital, we got together, you know,

Deane:

he came and visited me and we talked and we hadn't seen each other in 10.

Deane:

We literally had not seen each other or spent any time together

Deane:

in the same room in 10 years.

Deane:

And he's a grown man now.

Deane:

He's got a family, two kids, you know.

Deane:

I said, you know, when I, when I can, when I can hold food in my

Deane:

mouth again, you know, we're gonna, we're we're gonna do one of those

Deane:

projects we keep talking about.

Deane:

And he goes, yeah, it would be great.

Deane:

It would be great.

Deane:

And he was over here doing resort gigs.

Deane:

There's a tons of resorts cuz it's a tourist island, you know, it's a, it's

Deane:

basically the, the Hawaii of Australia, you know, so all the Australian

Deane:

tourists come over and there's tons of resorts and for musicians over

Deane:

here, if you're, if you're a resort.

Deane:

Uh, player, you can really make a great living.

Deane:

And that's what he was doing.

Deane:

He was over here doing that and just providing for his family.

Deane:

so I got better over the course of about six months and good enough

Deane:

to get together with him and, and have a, have a play at my studio.

Deane:

and it was just like, we just picked, right?

Deane:

I mean, you know how it is.

Deane:

Musicians get together, it's just, we just, it, it was

Deane:

like we didn't miss anything.

Deane:

It was just like we were finishing the sentence from the day before, you know?

Deane:

and I said, man, we gotta do something.

Deane:

Let's, let's find a couple of cats and build something and,

Deane:

and you know, have a go at this.

Deane:

And he's like, okay.

Deane:

And at the time I was just kind of thinking, you know, maybe we could

Deane:

just do some gigs around the area or something, you know, just for fun,

Deane:

just on the weekends or whatever.

Deane:

Cuz we're both doing other stuff, but we.

Deane:

We got really fortunate.

Deane:

We, we had a, we had a singer for a while, for about a month

Deane:

that was really talented, but he wasn't the guy that we wanted.

Deane:

We wanted, uh, this kid who had, been, been a, a finalist on the

Deane:

voice, Indonesia over in Jakarta.

Gareth:

Cool.

Deane:

he was locked into a contract with N B C and he was, or, or not

Deane:

n b nbc, but Universal over there.

Deane:

and, you know, still had some residual things to take care of as

Deane:

a holdover from being on that show.

Deane:

And he couldn't really get out of it.

Deane:

And, you know, he was gigging every weekend for them and doing all this

Deane:

other, you know, appearances and stuff.

Deane:

And so it didn't really work out.

Deane:

And then the bass player that I wanted, um, I'd played with a ton before

Deane:

in, in other touring situations.

Deane:

But he was super busy and not available and just couldn't lock him down.

Deane:

And we couldn't find anybody who played horns.

Deane:

We really wanted a horn player and we couldn't find anybody.

Deane:

And we tried a couple of keyboard players, and those people didn't really work.

Deane:

You know, we just have just kind of fumbling over ourselves

Deane:

for two or three months.

Deane:

then one week it sort of all came together.

Deane:

The bass player called me and said, Hey man, I've canceled all my

Deane:

contracts and I'm, I'm ready to go.

Deane:

And I was like, whoa, okay.

Deane:

So he came and he joined, and then the singer that we would, that

Deane:

we had originally tried to get, uh, he goes, well, let's just get

Deane:

together and see what happens.

Deane:

And so we got together with him and we wrote a song on the first day.

Deane:

It's probably one of our, you know, better tunes.

Deane:

and, and by the time we were done with that, he is like, yeah, I'm just gonna

Deane:

tell my lawyer, get me out of this thing.

Deane:

You know, I wanna, I wanna go do this with you guys.

Deane:

And then a band that I had produced a record for, uh, they had a friend

Deane:

from Sumatra who's, what, what, you know, it's about four or five islands

Deane:

over from Bali, towards Singapore, who's just this killer, just wonder

Deane:

kind, just prodigy, saxophone player.

Deane:

Just a, just a, just a, complete anomaly over here.

Deane:

There's not very many, you know, really soulful players, especially, sax

Deane:

player, you know, and his name was Cham.

Deane:

And he, coming over to visit this, this band that I had produced.

Deane:

And, and Paul, the lead singer of the bar dogs, this band that I worked with.

Deane:

He goes, man, you gotta meet my friend, you know, he is killer and he

Deane:

is gonna sit in with us this weekend up at, you know, the gig we're doing.

Deane:

And so I went over to the gig they were doing and as soon as I heard this kid

Deane:

play, I just made a beeline for him to the stage right after they were done.

Deane:

And I just totally stole him from those guys.

Deane:

Man, I just, I, I told Paul, I'm so sorry.

Deane:

I, I know you just introduced me to Chm, but he's not gonna play with you again.

Deane:

Play with me.

Deane:

You know, I just totally, I just totally ripped him off and as soon as I pitched

Deane:

the vision for the band, he, he said, I'm totally in, I'm, I'm 100% in.

Deane:

So, like, the next day, all five of us got together and we just,

Deane:

we've been going ever since.

Deane:

That was about five months ago, six months ago.

Deane:

And, uh, because of, you know, I'm, I'm a little bit of a, A commodity

Deane:

here, I guess, because there's not a whole lot of, there's not a whole

Deane:

lot of, of western musicians here.

Deane:

And then of course, our singer, who is a national television star for two years.

Deane:

So, and then, and then our guitarist, Pfizer, the, the kid that I, you

Deane:

know, had the history with, he's played with some really big Indonesian

Deane:

names, um, as a studio player.

Deane:

And our bass player was in a big band, a big touring band here.

Deane:

So we're all sort of like, it's, it's, it's almost like a super group in a

Deane:

way, at least over here, you know, in Indonesia it is, it wouldn't be anywhere

Deane:

else, but over here it's, you know, this really strange mixture of, of, of cats.

Deane:

And so we started writing and we found that we write really quickly and, and

Deane:

it's, it's pretty hooky stuff and, you know, kind of a cross between a, you know,

Deane:

funk rock and, and, and pop rock and.

Deane:

with a lot of real, you know, kind of crazy musicianship and odd time

Deane:

signatures and sort of progressive, you know, flavors kind of thrown into it.

Deane:

We're all big Yes.

Deane:

Fans and Genesis fans and level 42 freaks and, you know, so just

Deane:

kind of this hodgepodge of, of oddities, you know, um, king Crimson,

Deane:

you know, that kind of stuff.

Deane:

it's kind of taken off on us.

Deane:

You know, we, we got booked at all these major festivals over here, Southeast Asia,

Deane:

and it's just, it's moved way faster than I think any of us ever thought it would.

Deane:

It's just, you know, we, we, we played a couple of big shows and that got us a

Deane:

lot of national notoriety and we just, it just kind of took off from there.

Deane:

And so we're just, we're sort of riding the wave.

Deane:

We're not really sure where it's gonna go,

Gareth:

best way though, isn't it?

Deane:

Yeah, it totally is.

Deane:

It really is.

Deane:

It's just a it's one of those situations where we're just saying yes to the

Deane:

universe and, you know, whatever.

Deane:

We're not, we're not doing a whole lot of knowing, you know, we don't, we don't

Deane:

know what's happening and we're not saying no to a lot of things, you know, we're

Deane:

just kind of saying, yeah, let's do it.

Deane:

Who cares?

Deane:

Let's go.

Deane:

What else would we be doing?

Deane:

Sitting around, you know?

Gareth:

That's interesting you're saying about all those influences because

Gareth:

When I went to watch your video, I didn't know quite what to expect.

Gareth:

I was expecting kind of rock, but then like you say, saxophone

Gareth:

comes in and I'm like, hang on a minute, where's this going?

Deane:

Yeah.

Gareth:

And, and you've got the, influences on the guitar and, and yeah.

Gareth:

It's, it's quite different and yet quite nostalgic at the same time.

Gareth:

And when you were saying about the, um, you know, the, the components of the

Gareth:

band and the, the, the experiences and stuff, it put me in mind of Toto, you

Gareth:

know, these, guys were these amazing session players in their own right.

Gareth:

And then they came together as a group and produced this phenomenal work.

Deane:

Yeah, that's a, that's a good, I mean, I, I would, you know,

Deane:

obviously don't want to compare us to those legends, but Yeah.

Deane:

But, but I mean, it's a similar circumstance where, you know, everybody's

Deane:

had a career already, you know,

Deane:

um, jam is really the, he's the youngest guy in the band.

Deane:

He's 26.

Deane:

But the rest of the four of us have had, you know, a couple decades at least

Deane:

of, you know, real solid experience and touring and recording and, and so for the

Deane:

first time really in my career, like, you know, I'm part owner in something that

Deane:

actually means something for the future, you know, that's what it feels like.

Deane:

At least, you know, like I'm not, I'm not working for somebody else.

Deane:

We're writing all the stuff together.

Deane:

I'm producing most of it for us.

Deane:

And, you know, we kind of do it together, sort of like in the room.

Deane:

Um, but I'm definitely mixing and engineering and mastering

Deane:

everything so far at least.

Deane:

you know, we, we we're, we're we're doing crazy things.

Deane:

We're, we're collab.

Deane:

I can't really reveal it cuz we're not, we don't have a

Deane:

hundred percent nailed down yet.

Deane:

But we're, we're, we've kind of hatched this plan to do some

Deane:

collaborations with Western artists.

Gareth:

Intriguing.

Deane:

of vir, virtuosic, players over in the West that, that I've crossed paths

Deane:

with at, at some point are, you know, that are, are, are, are aware of us and,

Deane:

um, and kind of having them guessed on certain songs and, you know, so that's

Deane:

opened up a lot of doors, of course, you know, to come over to America and

Deane:

do some dates over there next year and Australia, this, this, uh, later this

Deane:

year after, after winter's over there.

Deane:

So it's interesting, man.

Deane:

I mean, I've, I've been in tons of bands my whole life, but never my

Deane:

own, you know, so this is like the fir this is a real first in a lot of ways,

Gareth:

Yeah.

Gareth:

And, uh, it's the right way round, isn't it?

Gareth:

You've got all the experience and now you know you can hit the

Gareth:

ground running really, can't you?

Deane:

Yeah, it's no drama.

Deane:

Everybody's got families, everybody's a dad.

Deane:

You know, like nobody's, nobody's looking for, nobody's got stars in their eyes

Deane:

or jealous over money or, you know, none of, we don't have any of that stuff.

Deane:

It's just, it's, it's a, it's a real mature, you know, group of dudes and it's

Deane:

just we're having a, we're having a blast.

Gareth:

I'll put that video in the show notes for you and, um,

Deane:

Oh, cool man.

Deane:

Thank

Gareth:

look on with great interest at your progress.

Gareth:

Have,

Deane:

Yeah.

Deane:

Yeah.

Gareth:

to see where, where you go with it.

Gareth:

Yeah.

Gareth:

Um, but

Deane:

be the biggest failure of all time or the, you know, the, I mean, who knows?

Gareth:

well, you know, it's better to have tried, isn't it?

Deane:

That's right.

Gareth:

Yeah.

Gareth:

but that's now, uh, if you are ready to go back in time, I'm interested

Gareth:

to see how you got to this point

Deane:

Hmm.

Gareth:

right back to the beginning.

Gareth:

here we are back in time.

Deane:

Right.

Gareth:

so we talk about the, the J word, and it's probably overused in the media,

Gareth:

but your journey has spanned continents.

Gareth:

It spanned decades.

Gareth:

How did it all start for you and that, you know, how young were you, for instance,

Gareth:

when you first became aware of music?

Deane:

well, I was kind of born into it.

Deane:

My, my, both of my parents, my mom and my dad were both jobbing musicians.

Deane:

my dad was a bass player, guitar player, banjo player, a chord accordion,

Deane:

bunch of odd, strange mo mostly folk and, um, bluegrass instruments.

Deane:

But he was raised on, you know, he was a child of the sixties obviously, so he

Deane:

was, you know, he was raised on Crosby, stills, Nash, and Young and, and, uh, you

Deane:

know, Eagles and, uh, a lot of West Coast and American, uh, Americana type music.

Deane:

Dan Fogelberg and, um, Bocas and Kat Stevens and, you know, that kind of stuff.

Deane:

Sort of the hippie generation, singer songwriter, you know, Joni Mitchell.

Gareth:

Fantastic generations.

Deane:

Yeah.

Deane:

Really good, really high quality, you know, intellectually

Deane:

sound, lyrically, you know.

Deane:

Um, and that, so that was that side of it.

Deane:

And then my mom was a drummer.

Deane:

She was a, she was a majorette in high school and then she was

Deane:

part of the drill team and stuff.

Deane:

And, and she, she took up the drums and played drums in, in a couple of bands.

Deane:

And when my mom and dad met, they joined a band together.

Deane:

And my mom was the drummer.

Deane:

My dad was the, uh, rhythm guitar player and there was a shake up within the band.

Deane:

And they basically told my dad, Hey, you need to buy a bass cause

Deane:

we need a bass player and we have another guy who plays six string.

Deane:

You know, we don't need to.

Deane:

So my dad hurried up and bought a bass and learned it.

Deane:

And then when they figured out my mom could sing very well, um, they

Deane:

sort of pulled a Phil Collins and she came out in front of the band

Deane:

and they hired another drummer.

Deane:

So that's kind of how it all happened.

Deane:

And I was kind of like conceived in the middle of all that.

Deane:

You know, they were, were, they were, they were a regional act.

Deane:

It wasn't anything huge, but they were pretty busy up, up and down the coast

Deane:

of Oregon, which is where I'm from.

Deane:

And, um, they were kind of a thing in our geographical area.

Deane:

and in the midst of the three or four year run they had, I was, I was born somehow,

Deane:

you know, in the middle of all that.

Deane:

And so there's pictures of me like, you know, in asleep in bass drums and, you

Deane:

know, sleeping in the back of band vans and bandwagons and, you know, speaker

Deane:

cabinets and all this crazy stuff.

Deane:

and so my mom's side of it, you know, was more Neil Diamond, uh, Willie Nelson.

Deane:

Dolly part and a lot of country, country rock.

Deane:

and so I kind of got that sort of flavor from her.

Deane:

And then my dad was kind of more on the band side, you know?

Deane:

so I, I was just constantly around it.

Deane:

I was around it, you know, with their gigs.

Deane:

I was around it in the car all the time.

Deane:

I was, it was, it was a situation where all my, all my quote aunts

Deane:

and uncles were musicians cuz they were band members and road crew and

Deane:

all this, you know, kind of stuff.

Deane:

And it was just sort of like, it was like the jackass movie except

Deane:

everybody's a musician, you know?

Deane:

So that's kind of how I grew up.

Deane:

You know, I grew up in, in the, in the middle of all that.

Deane:

and they never encouraged me to do it.

Deane:

They never encouraged me to follow that path.

Deane:

they never said, oh, you need to do this, or, you know, do what

Deane:

we're doing or anything like that.

Deane:

But they also never discouraged me from it either.

Gareth:

is there some kind of inevitability about, you know,

Gareth:

when you say, I was born into a musical family, really, I mean,

Gareth:

born in a bass drum on the road,

Deane:

Mm-hmm.

Gareth:

surely there's some kind of inevitability that you would

Deane:

I think so.

Deane:

Yeah.

Deane:

People, people have asked me about that before and I, I just,

Deane:

you know, I just think it's, it's a, you know, nature nurture.

Deane:

Uh, I was, I was nurtured around musicology essentially, you know, it was

Deane:

just a, I got a good friend who's who, both of his parents were lawyers, and

Deane:

he's just a brilliant, he's not a lawyer, but he is, he knows everything there is

Deane:

to know about law because he just grew up in that atmosphere, you know, and he

Deane:

just decided for whatever reason to be in real estate instead of being in law.

Deane:

But he could have very well got shot to the top of his class

Deane:

in law school had he decided.

Deane:

You know, it's kind of one of those kind of deals I think, you know, I just.

Deane:

I never really knew anything else.

Deane:

You know, um, after I came along they, they buckled down and had real jobs,

Deane:

you know, cause they had to provide.

Deane:

And then where, where I lived, there was no music scene other than, you know, kind

Deane:

of what they were doing just on weekends, sort of weekend, warrioring it, you know.

Deane:

so my dad, you know, started his own business and kind of became a family

Deane:

business and with him and his, and his father, my grandpa, and they did that.

Deane:

But, but it was still a huge part of my life.

Deane:

You know, it was, I, I I, I, I don't remember a time, and I know it sounds

Deane:

cliche cuz a lot of people say it, but I really don't remember a time

Deane:

where there wasn't music playing in the car at home, on the way to school.

Deane:

You know, I mean, it just was just was was always on.

Deane:

I would come home from, you know, it was the era of M T V and I would come home,

Deane:

come straight home from school on the bus.

Deane:

I'd let myself in.

Deane:

I was a latchkey kid cuz my parents were at work and I would let myself in and

Deane:

I'd make myself a peanut butter and jelly sandwich and sit down on the couch and

Deane:

watch m t v for three hours, you know, at, its at its peak, you know, when

Deane:

it was still actual music videos and, you know, just that kind of culture.

Deane:

So I just, I just, I just was never without it.

Gareth:

So was your introduction to playing, just having

Gareth:

instruments around and just hitting things and playing things and.

Deane:

my mom had a couple of drum sets in the basement and, you know, even

Deane:

after her and my dad's band broke up, she still kept playing with other bands

Deane:

or singing with other bands rather.

Deane:

and she had a drummer for a while named Dennis.

Deane:

and.

Deane:

He had a champagne Sparkle Ludwig kit in our basement where they did their

Deane:

rehearsals, and I wasn't allowed to go down there and touch anything,

Deane:

but of course I went down there and sat, played his drums all the time.

Deane:

I mean, you know, they had, they had rehearsal like Tuesday nights,

Deane:

Wednesday, Thursday, Friday, Saturday, Sunday, and Monday were my

Deane:

rehearsals, you know, on his drums.

Deane:

And he, I remember he was always coming up, yo, who played my drums?

Deane:

This was moved and blah, blah.

Deane:

You know, it was always me.

Deane:

And so I just got bit by the bug.

Deane:

You know, I just, and then there was a series of, you know, uh, radio

Deane:

Discoveries, you know, my Sharon in 79 and that huge drum intro.

Deane:

I'm, I, I'll, I'll never forget the first time I heard that my mom

Deane:

brought the 45 home and gave it to me, and I went upstairs and played it.

Deane:

And, you know, five days later she's banging on the roof with a broom.

Deane:

You know, can you please change the record?

Deane:

You know, but I just wouldn't stop.

Deane:

And my dad, you know, my dad said several times, we couldn't

Deane:

have stopped you if we wanted to.

Deane:

you just wouldn't quit, you know?

Deane:

It just, it was the only thing I cared about.

Deane:

I didn't wanna be outside playing with my friends.

Deane:

I didn't wanna, I wasn't interested in sports in any way.

Deane:

I wasn't interested in anything but just playing drums and playing music, you

Deane:

know, really until I graduated from high school, you know, I was, I worked, worked,

Deane:

worked in high school in really one band, primarily with my best friend, who's

Deane:

also a session player in Nashville now.

Deane:

You know, we kind of went, I went to la you went to Nashville when we graduated.

Deane:

He's a guitar player.

Deane:

Just played with a lot of people and.

Deane:

still talk to 'em all the time.

Deane:

We're still really super close.

Deane:

But we were in a band together.

Deane:

It was like a funk band that we, original outfit that we put together with a

Deane:

couple of students from the college that was in the same hometown that we had.

Deane:

So we were the young guy, we were the 15, 16 year olds and they

Deane:

were the 20 year old college kids.

Deane:

And we played frat and sorority parties every weekend.

Deane:

And we were sort of the IT band in town for that kind of stuff.

Deane:

so that's kind of what I cut my teeth on.

Deane:

And then when I graduated from high school, you know, I moved to LA and

Gareth:

Hmm.

Gareth:

What prompted the move to la?

Gareth:

Why la?

Deane:

well, LA was, you know, at least in my brain was the, at the time, this

Deane:

is 93 when I graduated from high school.

Deane:

So it was still.

Deane:

It was still, even, even though the Seattle sound had kind of taken over by

Deane:

that point in Nirvana and Pearl Jam and you know, s TP and bands like that, you

Deane:

know, so Sound Garden, you know, that that thing had happened already in 91, 92 when

Deane:

I was still in school, but it was still La la was the place, you know, if you wanted

Deane:

to be a session musician, you moved to la you know, and if you wanna be a jazz

Deane:

musician, you'd go to New York and if you wanna play country, you'd go to Nashville.

Deane:

You know, it was just kind of the thing that was the understanding, right?

Deane:

Unspoken understanding.

Deane:

And so I kind of bumbled around and sort of, you know, probably wasted a couple

Deane:

of years kind of deciding whether or not to, to really go down there permanently.

Deane:

But by the time I finally did in the late nineties, um, there was still

Deane:

enough of a scene down there mostly pop.

Deane:

Where I could get involved.

Deane:

And, you know, it took a few years.

Deane:

I, I did a lot of stuff for free, you know, to, to, I mean, hundred hundreds

Deane:

of sessions for free for people just trying to network and get to know people

Deane:

and, and understand, you know, the lay of the land and LA's a big place.

Deane:

And I was, I was scared.

Deane:

I was young, you know, I'd never lived in a place that was larger than, you

Deane:

know, 23,000 people, which is the town I came from in Oregon, you know, just a

Deane:

little, little coastal town in Oregon.

Deane:

So, moving to, you know, the metropolis of la, you know, seemed pretty daunting.

Deane:

And first couple of years was, was real interesting.

Deane:

made a lot of mistakes and moved to the wrong area several times and didn't

Deane:

realize, oh man, I'm, I couldn't be further away from where the action is,

Deane:

you know, and God, now I'm stuck in this six month lease type deal, you know?

Deane:

But I, I navigated through that and, um, just got real fortunate,

Deane:

you know, I met a lot of people.

Deane:

One of the, one of the smartest things I ever did is I got a job

Deane:

at Guitar Center, which, you know, in the in am in America is like the

Deane:

biggest music retail chain in America.

Deane:

I think it still is.

Deane:

Maybe Sweetwater might be bigger and bigger now, but back then Guitar Center

Deane:

was the brick and mortar place, you know, and they had a huge flagship store on

Deane:

Sunset Boulevard in Los Angeles, but they also had another flagship store in Sherman

Deane:

Oaks, which was just over the Hollywood Hills in, in the basin, in the Valley.

Deane:

Um, on Ventura Boulevard, and I just happened to move

Deane:

just down the street from it.

Deane:

So I walked down there and I got a job immediately.

Deane:

I, became really good friends with the general manager who was a pretty

Deane:

high up guy in the, corporation.

Deane:

he made me a store manager.

Deane:

He made me an assistant manager of that flagship store, like within weeks.

Deane:

so I got super fortunate there.

Deane:

He really took care of me and gave me a huge opportunity and just, and running

Deane:

that store or helping to run that store him and his, and the other associate

Deane:

managers taught me a lot about business and how to deal with people in LA and

Deane:

how to deal with professional musicians and how to deal with tour directors.

Deane:

And people would come in, I mean there's, there's tons of stories from that place.

Deane:

I worked there for about a.

Deane:

Two and a half or three years.

Deane:

And while I was getting my career going, you know, kind of on the side.

Deane:

But, you know, one of many things that happened is I installed a pro tool

Deane:

system at Steven Spielberg's house.

Deane:

I, and I didn't know, I didn't know it was him, and they just sent me up there

Deane:

in a van with a bunch of gear and they said, yeah, this guy bought this stuff.

Deane:

You need to go hook it up.

Deane:

He's a V I P client.

Deane:

I'm like, okay, cool.

Deane:

And I go in this big gated giant, you know, compound and he answers

Deane:

the door in his U s C ball cap and sweatpants and was like, what?

Deane:

You know?

Deane:

So I spend an afternoon crawling underneath his desk with him

Deane:

sitting there, drinking coffee, watching me, you know, stuff.

Deane:

Just weird things like that.

Deane:

and I just learned how to network with people and how to, you know,

Deane:

stay in touch with people and.

Deane:

Know who they knew and research and do all that stuff that you do, you

Deane:

know, when you're trying to build.

Deane:

so it was a really great opportunity for me and I still to this day, I

Deane:

have clients and relationships that are from that time in my life that

Deane:

now know, 20 years, 20 years ago, you know, that, that I still, I still

Deane:

collaborate with people from that time.

Deane:

And, you know, it was really a great, great time in my life.

Deane:

I hated it at the time cause I didn't want to be there.

Deane:

But in hindsight, it was the greatest move ever.

Deane:

You know, it was just,

Deane:

it was, it was awesome.

Gareth:

I'm sure you get people asking you, you know, what

Gareth:

do I need to do to get here?

Deane:

Hmm.

Gareth:

you have to say, well, you know, decide what you want to do

Gareth:

and then do anything you can around that to point in that direction.

Gareth:

You know, for you,

Deane:

Yeah.

Deane:

And we.

Gareth:

at working at Guitar Center and

Deane:

Yeah.

Deane:

And really be, you know, decide what you wanna do, but also be open

Deane:

to what comes your way, you know?

Deane:

And I, for, for me, that was a huge part of it.

Deane:

You know, I wanted to be a professional drummer.

Deane:

That was my goal.

Deane:

But I had a few things to learn first.

Deane:

You know, I needed to learn how to run a business, for instance, how to handle

Deane:

my finances, how to keep myself secure enough so that I could pursue the drumming

Deane:

career without having to take every single gig because I was starving to death.

Deane:

You know?

Deane:

So I had this great job on the side.

Deane:

know, it didn't, it didn't make me rich, but I didn't have to worry

Deane:

as much as I would have had, had I just been like, ah, screw that.

Deane:

I'm just gonna go full tilt.

Deane:

I'm gonna go down to the gloves every night and find out who needs a drummer.

Deane:

You know, if I would've done that.

Deane:

I probably would've had to go back to Oregon to my folks, you know?

Deane:

and, you know, that wouldn't have been a bad thing either.

Deane:

I mean, I, I say that a lot too.

Deane:

When I talk to young musicians.

Deane:

Having a place to go back to the security of that is worth a lot.

Deane:

You know, my parents would've taken me back in a minute, and knowing that

Deane:

I couldn't lose was a huge asset.

Deane:

You know, if I failed in LA the worst that was gonna happen is I have to go

Deane:

back and eat my mom's cooking every night, which isn't a bad thing, you know?

Deane:

And I know a lot of people don't, you know, some people don't have that.

Deane:

So I feel real fortunate that I, did, you know, that my parents

Deane:

were, they were, they were a hundred thousand percent supportive.

Deane:

They, they just never, They never questioned anything.

Deane:

They never looked at me like, man, are you sure this is a good idea?

Deane:

You know, none of that.

Deane:

They were just like, yeah, dude, go try it.

Deane:

Who, who knows?

Deane:

you, you're probably just as good as anyone else is doing it.

Deane:

So, yeah, go for it.

Deane:

Who knows?

Deane:

You know?

Deane:

They were just totally open about it.

Deane:

So there was a lot of things about it that, that really, I

Deane:

think, set me up for success.

Deane:

And I just felt like it, that there, there was nothing to lose by trying, you know?

Deane:

So that was kind of my initial entrance to Los Angeles and

Deane:

that whole scene down there.

Gareth:

So, fast forward then, you obviously find success doing your drumming

Gareth:

as professional drummer and, you move into composing for TV and film

Deane:

Yeah.

Gareth:

at what point, do you think, I'm gonna upticks, I'm gonna move my life over

Gareth:

to the complete other side of the world.

Gareth:

You know, where'd you, how'd you go from being a session musician

Gareth:

and composer in LA to, that's it.

Gareth:

I'm, I'm off, I'm outta here.

Deane:

Yeah.

Deane:

Yeah.

Deane:

It was, it was, it was not well thought through.

Deane:

Let me just say that.

Deane:

Uh, you know, it sounds, it sounds great, sounds, uh, you know, brave

Deane:

and, and crazy, but it was, it was really, it was a combination of

Deane:

things, you know, by the time I left LA it was too, it would've been two.

Deane:

Well, I, I, I had my last big tour in 2008.

Deane:

And sort of around that time when I got back off that tour,

Deane:

that was with Britney Spears.

Deane:

I went on a, a South, south American tour with her for about six months.

Deane:

And it was, it was a weird situation.

Deane:

It was like sponsored by a hotel chain, and it was just kind of

Deane:

this strange, but it was fun.

Deane:

But it was, when I came back off of it, LA was kind of gone.

Deane:

It was like no one was really there anymore.

Deane:

It was, it was like, while I was gone, something happened and

Deane:

everybody bailed to Nashville.

Gareth:

In six months?

Deane:

yeah, but probably longer than that.

Deane:

Maybe over the course of eight, you know, eight, let's say 18 months.

Deane:

But I wasn't really paying attention because I was preparing to go on this

Deane:

thing, you know, and I was, I was busy.

Deane:

So when I'm, and I'm, and you know, I'm guilty of, you know, when I'm, when I'm

Deane:

busy, I don't really look up, you know?

Deane:

I get really bad about keeping in touch with people and stuff cuz I'm

Deane:

so focused on this thing, you know?

Deane:

So I wasn't really aware of what was happening.

Deane:

I think I wasn't really paying very good attention but man, when I was

Deane:

gone for six months, or, you know, it was about about seven, seven and

Deane:

a half months, by the time I returned home, the place was a ghost town.

Deane:

At least in my circles.

Deane:

You know, there was probably a lot of stuff happening that I wasn't involved

Deane:

in, but in my circles, everybody had kind of been like, you know, they'd

Deane:

kind of seen the writing on the wall and they, they, they went, they went to

Deane:

Nashville where a lot of recording was still happening and still to this day

Deane:

is really kind of the hub in America for live, for, for actual recording musician.

Deane:

Um, so I came back.

Deane:

And thinking, well, I'll just go right back into session work.

Deane:

You know, this was a great tour.

Deane:

It was a nice diversion for a few months and, you know, made, made

Deane:

some, some good money doing that.

Deane:

And, um, yeah, I'd been out with her once before, so it was kind of the same team

Deane:

and it was familiar and it was easy, not, not easy, but familiar and I kind of knew

Deane:

where things were, you know, it wasn't like a reinventing the wheel type deal.

Deane:

And when I go back, I'll just, sail right back into what I was doing before.

Deane:

Well, that didn't happen because the recording business had literally

Deane:

moved to Nashville while I was gone.

Deane:

and I contemplated going over there.

Deane:

I went and visited my buddy who I spoke about before.

Deane:

You know, my high school friend, uh, Rob Isler.

Deane:

And, and thought about, you know, maybe go hang out with him for a few months

Deane:

and, you know, see what, what I could drum up over there, no pun intended.

Deane:

Um, but, but I just, I don't know.

Deane:

I, I decided instead to take a gig, uh, a touring gig over here in Southeast Asia

Deane:

with a, with sort of a circ dule type production that was happening over here.

Deane:

A friend of mine, uh, was directing it and he asked me if I'd be part of

Deane:

it, and I'd never really spent a ton of time on this side of the world.

Deane:

So I, said, yeah, man, I'll come check it out.

Deane:

You know, I mean, I, I, I don't have anything going on, you know,

Deane:

and, and my lease in my, condo was almost up and it was just kind of

Deane:

like the timing was, was great.

Deane:

So I came over here and I did that production, and that production

Deane:

ended up being a couple of months.

Deane:

It was like three, three and a half months that I was over here.

Deane:

and Verina, my wife, uh, we just celebrated a few days ago, our 12th

Deane:

wedding enver 12 year anniversary.

Deane:

Um, thanks.

Deane:

she was working for that company that was doing this production as a PR consultant.

Deane:

And, um, so I met her, you know, I got to hang out with her for a few months and,

Deane:

you know, that was, that was awesome.

Deane:

then the thing finished and I went back to LA and when I got back to LA my dad, who,

Deane:

my parents got divorced when I was a kid.

Deane:

So my dad, wherever I would move to, my dad would move

Deane:

there, you know, to be around

Gareth:

Oh, that's so

Gareth:

sweet.

Deane:

uh, yeah, it was great.

Deane:

I mean, he, once and once, especially, once he retired, he really, you know, he

Deane:

really followed me around quite a bit.

Deane:

And so he lived just a few blocks from me in Los Angeles, and he kind of took care

Deane:

of my place while I was gone and stuff.

Deane:

And when I got home, he goes, dude, he, I, I kept telling him about her, you know?

Deane:

And I was like, man, I, I don't know how I'm gonna make it work, but I

Deane:

probably need to move to Nashville, you know, so I can keep working.

Deane:

But she's there and I, I don't know, man.

Deane:

He goes, dude, he goes, why don't you just sell everything and move over?

Deane:

There?

Deane:

He goes, you can do what you do from anywhere.

Deane:

You know, it's to the point.

Deane:

Now, if, if somebody said to you, Hey, next week, can you record this record

Deane:

here, you know, in, the village in New York, you could tell 'em yes and you

Deane:

could just take the deposit and spend it on airfare and fly over there and do it.

Deane:

You know, he goes, so, so you take a thousand dollars bath, who cares?

Deane:

You know, you're making, you're making, you're making good money.

Deane:

If it's a six or $7,000 gig, what's a thousand bucks for a plane ticket?

Deane:

You know, you can, you can still do the, the stuff you wanna do, and you

Deane:

can live where you want and there's no pressure and you don't have to be here,

Deane:

and you don't have to pay, pay the, the crazy prizes of living in LA and

Deane:

maintaining your condo and all this stuff.

Deane:

And, you know, and I started thinking about it and thinking about

Deane:

how wise that was, and I thought, yeah, maybe, maybe he's right.

Deane:

You know?

Deane:

So I put all my stuff in storage and I thought, okay, I'll try it.

Deane:

I'll, I'll give it like a trial time, you know, maybe three

Deane:

months or four months, whatever.

Deane:

Put everything in storage.

Deane:

Got rid of my condo, sold my car, you know, put all my drums at, at

Deane:

the Cartage place, in la and I went to Jakarta and tracked her down and,

Gareth:

Was she surprised to see you?

Gareth:

Was she

Deane:

Yeah.

Deane:

She didn't, she didn't think, well, we had talked, we had talked over Skype quite

Deane:

a bit, you know, obviously I'd been gone for like a year though, since I saw her.

Deane:

And, uh, we'd had several, you know, qui Skype conversations and, she didn't think

Deane:

I was actually going to do it, you know, she just thought it was all talk cause cuz

Deane:

a lot of people over here say that, you know, I, oh my gosh, I love it over there.

Deane:

It's amazing.

Deane:

You know, I found myself and eat, pray, love and all that shit.

Deane:

So, so, but when I actually showed up and made good on it, she was shocked,

Deane:

you know, she was really shocked And you know, that introduced a whole bunch

Deane:

of other things cuz their family is, is Muslim and like I'm not, and you know,

Deane:

all this other stuff came into play and, you know, so we navigated through that

Deane:

as best we knew how and we just started dating and just taking it really slow.

Deane:

And I ended up being over here for another four or five months and then

Deane:

I had to leave because my visa was up.

Deane:

And so I just packed my backpack full of stuff and decided to

Deane:

just kind of backpack around Asia and see this part of the world.

Deane:

You know, I didn't have any gigs back home.

Deane:

There was nothing in LA to go back to except for my dad.

Deane:

and he had come over here once already to hang out for a few weeks, you

Deane:

know, and see what it was real, what was, what the big deal was, you know.

Deane:

And so I took off and ended up being gone for about eight months.

Deane:

And I went to Japan in Sri Lanka and, um, I, I went to Tibet.

Deane:

I snuck into to Tibet in the back of a water truck with a bunch of other people.

Deane:

Um, and I went to Hong Kong for the first time.

Deane:

I'd never been there in Singapore and Taiwan and Vietnam and a

Deane:

whole bunch of places over here.

Deane:

and I recorded a lot of the stuff that I was doing with street musicians and stuff.

Deane:

I would just roll up and play with people and, you know, and have fun.

Deane:

And at one point I ended up back in Japan because part of my airline,

Deane:

uh, like I got this ticket called Under Round the World Ticket.

Deane:

And it was like you could pay it, like, you know, a pretty, pretty hefty fee, but

Deane:

you had like 10 or 12 different stops.

Deane:

You could, you know, use it over the course of six months or whatever.

Deane:

So I did that.

Deane:

And it began and ended in Tokyo.

Deane:

So I had to go to Tokyo to, you know, get my own way to Tokyo and then start my trip

Deane:

from there, kind of, and then it, it was just, you know, full circle back to Tokyo.

Deane:

So I wound up back in Tokyo for another month and a half, two months, and I just

Deane:

got a hotel room and I just mixed all of those performances that I had encountered

Deane:

into an album, into a world music album.

Gareth:

Wow.

Deane:

Yeah.

Deane:

And I called it Eastern Chronicle, and I played it for a couple of people,

Deane:

and a bunch of people told me, man, you should, you should send this to some

Deane:

labels and, you know, see this, this is something that people would go for.

Deane:

And I'm like, really?

Deane:

I don't know.

Deane:

It was all instrumental.

Deane:

And the, the stuff that wasn't instrumental was in languages that

Deane:

nobody including me really understood.

Deane:

But it was sort of like a deep forest, kind of, uh, you know, um, world

Deane:

music, Peter Gabriel kind of thing.

Deane:

And I played a ton of instruments that I didn't really know how to play.

Deane:

Probably played 'em all wrong.

Deane:

It was, it was just, it was this experimentation time of, you know,

Deane:

just this, this time of experimenting with things and figuring out how

Deane:

things worked and cool sounds that I'd never heard before.

Deane:

And just, just, just a, a really fun, amazing time in my life that

Deane:

I'll never be able to repeat.

Deane:

It was just, it was just a phenomenal time.

Deane:

And so anyway, I ended up with 12 tracks and organized him into an album.

Deane:

And then I had a friend at DECA in the uk and he turned me on to some

Deane:

people at Warner Brothers that, that he thought might be interested in it.

Deane:

And so I got a publishing deal, a limited publishing deal with Warner

Deane:

Brothers, which they, the, in, in, as part of the part of the deal.

Deane:

They agreed to help me promote the album.

Deane:

I could release it independently through They had an independent program at the

Deane:

time and they, they might still, and so I released it through them and it didn't

Deane:

really do anything, but it was just a fun thing to do, you know, I didn't tour

Deane:

it or anything, or play live or, you know, you really couldn't because all

Gareth:

I was gonna say, how do you replicate

Deane:

yeah, it would've, would, wouldn't have been possible really, I don't think.

Deane:

But, but um, anyway, I did that.

Deane:

And then about six months later I did the exact same thing in South Africa.

Deane:

I went over there and lived there for about four or five months

Deane:

and just did the same thing.

Deane:

I ping ponged back and forth between.

Deane:

A couple of places over there, Cape Town and Johannesburg, and, this time I

Deane:

kind of researched it out ahead of time.

Deane:

I, I met people on Twitter at the time.

Deane:

I was really involved on Twitter and I would link up with people

Deane:

and kind of set things up.

Deane:

I met a choir director over there at a church.

Deane:

It was a very dear friend now.

Deane:

And, and I stayed at Hi his house with him and his wife and their two kids, uh,

Deane:

for the majority of the time I was there.

Deane:

And he really helped me a lot.

Deane:

He introduced me to a lot of musicians.

Deane:

So that was my second solo record qua.

Deane:

that was fun too.

Deane:

It was just a completely different flavor and, you know, so that sort of

Deane:

got me in the studio again, except in a different role, you know, not, not,

Deane:

I mean, I played drums on everything, But I also engineered it and recorded it

Deane:

and learned a lot about Mike placement.

Deane:

And, you know, learned.

Deane:

I, I, I had no idea really, cuz my whole career people had engineered for me.

Deane:

You know, I'd go to a session and there was already engineers and they'd have

Deane:

everything set up and they, they knew how they wanted the drums to sound,

Deane:

but this time it was me making the decisions, you know, and I, I had to

Deane:

really learn quickly, you know, what polar patterns were and, you know, how

Deane:

to eq things properly and, and what compression was and all this stuff.

Deane:

You know, stuff that I'd, I'd really listened to engineers talk about over

Deane:

the course of my time in studios, but never really had my hands on it myself,

Deane:

so it was sort of, those two albums were sort of a crash course between 2012

Deane:

with Eastern Chronicle in 2015 with Qua.

Deane:

That was sort of like a three year, Kind of a, a crash course masterclass and how

Deane:

to record, you know, properly without board gear and, and plugins as well.

Deane:

You know, I just really had never, really dived deep into that stuff.

Deane:

You know, I knew enough to be dangerous.

Deane:

I knew enough to score a film, didn't, I didn't really, you know, scoring,

Deane:

scoring a film with orchestra is vastly different than actually mixing band a,

Deane:

a full band toge, you know, a a rock band or a pop band together, which

Deane:

is essentially what this stuff was.

Deane:

You know, it just was foreign language pop.

Deane:

I'd never done that before.

Deane:

So I learned that, and that really kind of got me interested in production.

Deane:

and really since then, that's kind of what I've been doing.

Deane:

I've been producing, producing for other people, both over in the States

Deane:

and then the uk and here now too.

Deane:

and then recently with, with Stone Cold, you know, we just put out an EP and we've

Deane:

got another one coming out next month.

Deane:

And I engineered and produced all of that in the room, you know?

Deane:

and that's really what I, it's it's, it's been so much fun, man, the last

Deane:

few years of, of learning how to do that and, and trying to do it well.

Deane:

You know, I'm, I still have a long way to go.

Deane:

I mean, I, I have so many things I wanna learn, but, you know,

Deane:

it's just the, the process.

Deane:

When you say journey, that's exactly what it is.

Deane:

It's just been a long journey of learning, you

Gareth:

yeah, yeah.

Gareth:

Well, those drums on that track sound sweet.

Gareth:

They, they sound really good.

Gareth:

so yeah, best of luck.

Gareth:

Uh, with that we seem to have come full circle to stone cold killers again,

Deane:

Yeah.

Deane:

Well,

Gareth:

great.

Gareth:

Which is great.

Gareth:

But, um, that's really, really fascinating stuff.

Gareth:

I ask all of my guests to leave an item and a piece of advice in

Gareth:

the music room for others to find.

Gareth:

I wouldn't even.

Gareth:

Begin to be able to guess what you would leave,

Deane:

Yeah.

Deane:

It's hard to, it's hard to narrow it down to one, isn't it?

Deane:

I, I guess, you know what?

Deane:

I've learned a lot of lessons.

Deane:

I think, I think more about just how to be a, a better human than

Deane:

anything musical I could say.

Deane:

I mean, you're, you're gonna.

Deane:

Every, everybody's gonna have the path they have musically, because we

Deane:

all come from different places, and it's so subjective and, you know,

Deane:

we all, we all grew up listening to different things, and there's

Deane:

really no right way to do anything.

Deane:

And sometimes the wrong way to most people is the best sounding way, you

Deane:

know, and, and your ears will determine whether or not you ought to do it that

Deane:

way, you know, even if it's wrong.

Deane:

but I think there's a right way to be a human and there's a wrong

Deane:

way to be a human, you know?

Deane:

And especially in this business,

Deane:

First of all, You got about 60 years before, you gotta really start worrying

Deane:

about, man, I'm running out of time.

Deane:

I mean, look at John Williams.

Deane:

You know, he's, he's announced that he's gonna do one more score, you know, he's

Deane:

gonna do the, in Indiana Jones thing.

Deane:

And then, and then that's it.

Deane:

You know, what is he 90, you know,

Deane:

like,

Gareth:

yeah, easily.

Deane:

I mean, the guy, I mean obviously that's an extreme example, but people

Deane:

who are just starting out, you know, coming outta school or, or whatever,

Deane:

you're 20 years old, 25, 30, even 35 or 40 years old, you know, you got

Deane:

time, you got a lot of time to learn and a lot of time to meet people.

Deane:

And there's a lot of people out there who are at the same level that you're at,

Deane:

at the same age you're at, and they're not gonna have their shot until they're

Deane:

50 or 45, or 40 or 35 or whatever.

Deane:

And I think it's easy to get really worried and, and full of anxiety

Deane:

about, oh, it's, I'm running out of time, you know, I'm 26 and I

Deane:

still don't have anything going.

Deane:

Or I'm 30 or 35 and I still don't, I still have not scored a big film or whatever.

Deane:

I mean, I know, I know people in their sixties who've just done indies their

Deane:

whole career and they have a nice house and a great family and a couple of cars

Deane:

and vacations, you know, every winter.

Deane:

And I mean, they do, well, you know, and they're not Han Zimmer, but they can

Deane:

call themselves a professional composer, you know, they can call themselves a

Deane:

professional musician because they are, they're earning a living, making music.

Gareth:

Yeah.

Gareth:

Yeah.

Deane:

And there's a lot between the top of that and the bottom of that.

Deane:

You know, there's a lot of time, there's a lot of margin financially,

Deane:

there's a lot of different situations.

Deane:

There's a lot of geography.

Deane:

You know, my, in my case, you know, you can move, you don't like what's happening.

Deane:

Move, move to where there's work, you know, or create your own work, But

Deane:

I guess the point is, don't feel bad about what hasn't happened, you

Deane:

know, or what society or the industry has told you should have happened

Deane:

by now, because it's not true.

Deane:

Everybody's got a different path.

Deane:

You know, my path has obviously been a, a crazy rollercoaster of weirdness.

Deane:

I'm sure yours have too.

Deane:

You know, when you look back on what you've done and you're just like,

Deane:

man, I don't even, I don't even know how I got here, but here I am, you

Deane:

gotta enjoy the ride, man, because it's, that's where the fun is.

Deane:

That's where it's at.

Deane:

You're never gonna get to where you're going.

Deane:

I've accomplished a lot.

Deane:

I've accomplished pretty much everything I set out to do,

Deane:

but I'm still not satisfied.

Deane:

You know, I wanna do other things and I mean, look, I'm in, I'm 15

Deane:

years old again in a band, you know,

Gareth:

Yeah.

Deane:

so

Gareth:

I,

Deane:

would be, I,

Deane:

guess if, if that, if that makes any sense.

Deane:

I guess that would be what I would say,

Gareth:

yeah, I love that.

Gareth:

Don't feel bad for what hasn't happened I love that.

Gareth:

Yeah.

Gareth:

So, there was an item and a piece of advice that was advice.

Gareth:

So is there a something, a specific physical thing that you think that you

Gareth:

could leave for others to find, which you might help them something or do

Gareth:

something or, um, it could be anything.

Gareth:

I mean, we've had so many items.

Deane:

A thing like a physical object.

Deane:

All right.

Deane:

yes.

Deane:

Okay.

Deane:

So this is gonna be, this isn't gonna appeal to, mostly to drummers,

Gareth:

Excellent, excellent.

Deane:

The degenerates of your listening base.

Deane:

there's a thing called a, attention watch.

Deane:

probably the most popular version of it is made by toma, the drum company,

Deane:

which I was a TOMA artist for a number of years, and I love that company.

Deane:

But they came up with a, they actually have a rhythm watch, which is a metronome.

Deane:

And then they also came out with a thing called detention watch.

Deane:

And it's basically a, I don't have one here in my office, but it's a little

Deane:

dial that has a little ball, kind of like a, a cam ball on the bottom of it

Deane:

that kind of moves around and it's on a spring and you set it on a drum head

Deane:

while you're tuning it and it ba and you kind of move it around the drum head.

Deane:

And it measures the tautness of the area of the drumhead that it's

Deane:

sitting on so that you can get even tension all the way around the drums.

Deane:

And probably as a drummer, when I do clinics and stuff, the biggest

Deane:

question I get from drummers is how do you learn how to tune drums?

Deane:

a lot of ways to learn how to tune drums, but that is probably the best

Deane:

and fastest way to learn how to do it, is to use a a Tom Attention watch.

Deane:

And they're like, they're like 20 bucks, you know, American, uh, U

Deane:

s D, they're not that expensive.

Deane:

I have two of my, have one in my drum bag and I have one just floating

Deane:

around my studio usually, but.

Deane:

It's just the greatest little device you can, you can learn how to quickly, cuz cuz

Deane:

you, you know, you just basically dial it to the same spot on every point of the,

Deane:

you know, and on, on every lug, right?

Deane:

Every parallel to every lug.

Deane:

You just make sure that whatever number you're on, if it's five or 15, that

Deane:

you're five or 15 all the way around.

Deane:

And it's just a great way to learn how to tune drums if that's a mysterious,

Deane:

you know, thing to you, which it was for me for a long, long time.

Deane:

Yeah.

Deane:

So that would be what I would leave for everybody is a tension watch.

Gareth:

There you go.

Gareth:

That's going in.

Gareth:

And, uh, your advice.

Gareth:

Of course.

Gareth:

Dean Ogden, it's been a joy chatting with you.

Deane:

been great man.

Gareth:

thank you for joining me in the music room.

Deane:

you for having me, man.

Deane:

I really appreciate it.

Gareth:

Thanks for listening to the Music Room podcast today.

Gareth:

If you'd like to know more about the show or the community that surrounds

Gareth:

it, head to music room.community.

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The Music Room
Personal stories of inspiration from music industry professionals.

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About your host

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Gareth Davies

Composer of music, producer of podcasts. Latest TV series: Toad & Friends (Warner Bros. Discovery). Current podcasts include The Music Room and Podcasting People.

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Danny Brown $5
Saw your excellent post on Facebook, and happy to become a supporter!
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Anonymous £1
Thanks for making this podcast! I appreciate all the advice and useful items that guests leave, it’s helped me think about how I go about things.